Skip to content Skip to footer

Highly Commended: Slow way by Axel Garay

Slow way

Axel Garay

2025 Highly Commended

About the artwork

First Nations artist Axel Garay created this triptych of self portraits using a wet-plate collodion process, an early photographic technique invented in 1851 which uses light to expose an image directly onto tin.

“While making these images, I sensed a spiritual quality in the way the alchemical process revealed a deeper dimension of myself rather than capturing a fleeting moment, as does digital photography. There is unfinished business with old photographic technologies, particularly for First Nations artists grappling with the historical photographing of our ancestors using these technologies.”

The close-up shots invite an intimate and intense viewing experience, drawing the viewer into the subject’s emotional world. The monochromatic dark grey-black aesthetic of the tintypes lends the images a haunting quality, enhancing their emotional depth. Each portrait feels deeply personal and is entirely unique.

“These are one-off prints, direct to positive with no negative to replicate.”

About the artist
Axel Garay (Meriam/Puerto Rican/Malaysian) is currently completing a PhD in the School of Art at RMIT University. He is an emerging queer First Nations interdisciplinary artist and storyteller working with the still and moving image. He utilises digital video, installation and alternative photographic processes to explore themes of technology ethics, desire, spirituality and human psychology. He was awarded an Honourable Mention in the Bowness Photography Prize 2024.

"While making these images, I sensed a spiritual quality in the way the alchemical process revealed a deeper dimension of myself rather than capturing a fleeting moment, as does digital photography. There is unfinished business with old photographic technologies, particularly for First Nations artists grappling with the historical photographing of our ancestors using these technologies."